AN OPEN LETTER TO THE SCENE
ACADEMY FIGHT SONG
Stripping down a bare essentials model consisting mainly of his voice, sparse percussion, and an acoustic guitar, NYHC and post-hardcore pioneer Walter Schreifels takes matters into his own hands, literally, playing nearly every instrument on his debut solo effort, the 10-track AN OPEN LETTER TO THE SCENE. From melancholic (“Shootout”) to rousing (Civ’s “Don’t Gotta Prove It”) to nostalgic (Agnostic Front’s “Society’s Suckers”) and witty (“The Ballad of Lil’ Kim”), this departure disc veers into folksy indie rock territory with a pronounced poignancy while the majestic grace of Schreifel’s songs, normally belied by amplifiers set to stun, clearly ring with a newfound resonance. The man best known for taking part in some of the most incendiary acts to come from the underground of the Big Apple eschews the volume and volatility of his salad days for some “new scenery” (“Wild Pandas”), steering his masterful songwriting skills into places that naturally fit Schreifels’ never-fail emotional outpourings and snappy refrains. This intimate offering is a giant leap forward musically yet it looks back lyrically with many snapshots from yesteryear popping up topic-wise to appeal to both trained acoustic pop-rock ears and curious hardcore music connoisseurs alike.